Virtual Analog Wavetable Synthesizer Download
Virtual Analog Wavetable Synthesizer Software
Virtual Analog Wavetable Synthesizer Download
Virtual Analog Wavetable Synthesizer Pc
Virtual Analog Wavetable Synthesizer Online
Virtual Analog Wavetable Synthesizer Software
Polyphonic Analog Synth

Soda Devices has announced the release of Lith, a freeware virtual analog synthesizer in VST, VST3, and AU plugin formats for compatible digital audio workstations on PC and Mac.

The product page on Soda Devices’ website describes Lith as a “Virtual Analog Wavetable Synthesizer”. This description is somewhat misleading, as Lith doesn’t fit the common definition of a wavetable synthesizer. Generally speaking, a wavetable synthesizer generates the sound from a wavetable which consists of a sequence of single-cycle waveforms. Instead, Lith is a virtual analog synthesizer which simply uses static sampled single-cycle waveforms of a real analog synthesizer as the sound source.

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Naming conventions out of the way, there’s no denying that Lith is a capable virtual instrument. It features two detunable oscillators with four waveforms (triangle, sinewave, square, and saw), a pair of sub oscillators, dual filters, and multiple modulation sources with conveniently positioned modulation target controls. The developers have implemented oscillator drift and noise saturation capabilities as tools for achieving a more organic sound. Lith comes with a wide selection of factory presets, sorted into categories for easy browsing. The presets cover a range of bass sounds, leads, pads, and sound effects.

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One big drawback with the current version of the plugin is the user interface design. It is too small and cluttered for comfortable use, with tiny parameter labels which are hard to read. Hovering a parameter with the mouse pointer will increase the font brightness in that section of the UI, but this is more of a distraction than a workflow enhancement. To make things worse, the interface features an overly bright, low-contrast color scheme which is simply hard to look at. Thankfully, the developers are working on a GUI redesign, as noted on the product page.

In summary, Lith is more than just a standard subtractive synthesizer plugin, but it’s held back by the lackluster user interface. Hopefully, the announced update will take this promising virtual instrument to the next level. In the meanwhile, we highly recommend checking out the recently updated T-Force Alpha Plus 2 synthesizer by Mastrcode Music.

Lith is available for free download via Soda Devices(1.8 MB download size, ZIP archive, 32-bit & 64-bit VST/VST3/AU plugin format for Windows & MacOS).

on Jan 08, 2017 in Synths & Sound Design 4 comments

There's no doubting the joy of using a real hardware synthesizer. The tactile controls are difficult to beat. But when it comes to sound these 7 virtual synths more than hold their own.

An immensely powerful wavetable and virtual analog software synthesizer, 20 years in the making. This is Pigments, and it’s going to change the way you make music forever. Waldorf Music has today announced the availability of Kyra, a powerful 128-voice virtual analog /wavetable Synthesizer based on FPGA (Field Programmable Gate Array) technology. “Analog, digital, virtual analog, software synths which one is the best option? Which ones sound the best? This is one of the most frequent questions I get from my listeners, students and even friends from the music industry. Pigments is a wavetable, virtual analog, granular and sampling analog software synthesizer. Create sounds easily with its intuitive and visual interface. Togu Audio Line (TAL) brings U-NO-LX, an emulation virtual synth plugin of the popular 80’s Roland Juno 60 hardware synthesizer. Although other developers have tried to emulate this synthesizer TALU-NO-LX is truly the most authentic-sounding virtual Juno 60 synthesizer plugin. The Juno 60 was a six-voiced, single oscillator, polyphonic synth.

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Any top-10 (OK, top-7) list of virtual synthesizers will, ultimately, be pretty subjective—everyone has their own idea of what constitutes the coolest toys when it comes to making and mangling sounds for creative musical ends. Even so, a list of the most impressive soft synths will certainly end up including some models that would be on anyone’s wish list, along with a few more personal choices—and this collection pretty much fits that bill.

I tried to limit this list in a few ways, to make it more manageable.. I omitted instruments that are primarily samplers—even though many of the models here utilize samples as source material, they don’t mainly present them as realistic simulations, but as raw material for heavy processing. I stuck to synths that are—at least to me—geared to playability, and not primarily sound design or scoring effects. And I selected synths that are not emulations of specific classic hardware models, but stand on their own merits.

So without further ado, here are a few of my choices for the slickest soft synths around.

1. Spectrasonics Omnisphere 2

Omnisphere is one of those synths that would probably turn up on just about everyone’s lists. Like many of the synths on this list, Omnisphere (currently Omnisphere 2) combines a number of synthesis techniques, including both oscillators and sample-based source material (including user waves), wavetable synthesis, granular synthesis, and even FM. Combining a huge factory library with comprehensive programming options, the emphasis is on heavily processed sounds of all kinds, from traditional synth tones to dense swirling pads to arpeggios to shifting, chugging, twinkling soundscapes and musical noises that defy easy description. Playability includes nice touches like the Orb, a real-time joystick-type controller that can simultaneously vary many parameters. Omnisphere has been around for quite a while, and has certainly earned its place on a list of soft synths that hardware synths really can’t touch.

Web:https://www.spectrasonics.net/products/omnisphere/index.php

Review: https://ask.audio/articles/review-spectrasonics-omnisphere-2

Courses:https://ask.audio/academy?nleloc=application/omnisphere

2. NI Massive

Native Instrument’s Massive is another synth that’s been around for years, and its popularity and sound pretty much guarantee it a place of honor. Massive follows a traditional subtractive synthesis models, with oscillators (three, plus noise) filters (two), amplifier, modulation (LFO), and effects. But there’s much more to it than that simple